Home

   

The movement power and the colour movement in the art
departure.


The death, that offensive terrible idea, which no one of creature want even thinking in it. Because in simplicity equal to the absence of life, and in spite of  we think in death and we are in the life movement and we are forced by it, but we fined ourselves walk by the life steps coercively to the death. The hope and to see promising signs in the mercy of heavens symbolise to it the Aba of this miserable mother, which put on her head the green idea of the life, through her Aba which she pulling it while that supposed to pushed by her green Aba to the life, this Aba is symbol of the life, mercy, peace and present, holding it in this worn body in tired, pain and hungry, while she open her way in this open space which based on the subdual, an she lead with her a child, he is a fruit of her humanity and her dreams which the life pushed her to it, or what the life has deluded her in it.

Departure
Departure
(oil on canvas)

This dialectic between the colour of her green Aba and her child and the terrible contrast between them, this internal movement of the life falseness and the falseness of the sky promises which donated her the life, in the way to death, and her blue dress which she surrounded herself by it, and it means that she surrounded her self by the sky, which supposed to be blue, and she lead with her coercively fruit of this existence, this miserable child, to change all of that at the end to that subdual and deception from the sky through changing of the colour of her Aba gradually to the dark colour and changing of its shape at the end to the big black snake which separate at the end her head and the head of her child. Thus the bloody contrast between life and death, completed in the clear harmony through her movement direction with her child in limited directed way, as far as stages of contrast completed through changing of her and her child foots rhythm in this one direction way where no body present only them. And here we paint also the to be alone with of the sky, in the barehanded creatures in front of its intrepidity at the end of the circumambulation, thus there is no symbol for the - to be alone with -in the painting, but I paint it practically through the complexed movement in one direction and one space, thus the direction movement express on it presence repeat of the mother and her child, and terms of this repeat moving also, thus the woman Aba moving also, to express that on the wind movement without putting that wind in the painting, however more than that I expressed on the wind power through the movement direction of the aba itself, when become its movement to the higher more in the final stage of the woman and her child movement, and thereby we create the tightening,  to be in its climax when this tension separate the head of the woman and the head of her child. that is to say we create the extreme contrast between the life who create its contrary the death, that's to say we create the extreme expresses to th
its savagery, barbarism and its sadism. So the air which creature respire to live by it, we put it a symbol to the moment of the  tyranny  and sadism in its movement which change the green Aba to high killer snake over all the noble values and over the illusory mercy which the sky sing.
Synchronise with that the colour movement and its symbolism sense, thus in any stage changing the colour of the painted elements, that's to say the woman and her child, where we found at the end that them colour change to the pail white, to indicate on the fright and collapse, and the Aba colour changing at the end to the black, and the colour of her dress to the dark, to indicate on the sorrow and frustration, and destroyed of the human soul, and the shadow of them changing at the end to the red, to indicate on the bloodshed and death, and the water skin changing it colour also to dark, then it disappear due to disappearance of that illusory mecy in the life, which was not except a despotism in our souls and the souls of our earlier fathers, to be even our food is from skulls of our earlier fathers, and our stool from the destroyed souls of our earlier fathers, that's to say from the earth which we stand on it, one thing does not change , it is the space which surround her, to indicate constancy of system of the illusory mercy in the creatures, thus the space is reddish dusty, and there is no elements appear to represent any mercy to help took hand this woman and her child. Thus the to be alone with and subdual sway here already we created due to absence of what contrary to it, so the woman in her first movement was a movement in the hope to end to the subdual, so the meaning became here dynamic also, so the hope moved in spite of its will to end to subdual, and the movement direction of the woman and her child toward the horizon, contrary to the movement direction of the snake , and also the woman and her child which they are not more presents, rather they became two skulls no more. Thus the the movement direction of the woman and her child already return and its idea also, and the woman cling to her child till the end, even without head, is expressing on refusal of subdual human and creatures to the sky tyranny, but it stay refusal to fait accompli based on the subdual to an armles no ability for him and no power,
indicate it kneeling of the woman and her child in front of this subdual at the end, and this indicate subdual of the illusory mercy itself to the creatures. While the mercy is the mercy and does not mean another thing, and not requisite to practice other things.
The love, fruit of the existence, existence of the human in the human, in his heart , head, feeling and soul, but we see here absence of her lover, that's to say absence of this reaction which create this child, that's to say absence of this love and crushing of its fruit, that's to say the child. The innocent child staying in all movements putting his hand on his face, to say to us that he don't want to see this fate, and he don't want to react with it at all, and his mother cling to him in firmness in all movements expressing of her cling in love which lead her to bring him to the life, even her head has pulling out, thus there is no presence for this miserable woman in her human, but what present is only this bloody way which subdual before her parents in the same savagery and tyranny, and it left her as love fruit, lead she her fruit also in the black way, the life way.
And the life is the life, and not possible that the death, fright, pain and the subdual be crowned in it, so as if the death claw has created the life, while must be created by the life hand, but as the creatures are armlesses in front of this tyranny as this miserable mother and her child, then the creature have to walk in by the life walks to this subdual against his will.
So here the mercy grin for its real fangs to appear to us the sky essence  and its autocratic real dominion in the creatures, thus the mercy must not create the pain, the hungry and the cemetery.
The mercy is a perfect  essence not possible to divide it and use it to create the torture to the creatures, the mercy can not use it as a glove to kill the creatures, the mercy can not use it as a noble coating for the sadism claws, not only this but this lead us to perceive the primitiveness of the sky in the human, thus if the sky was imagined itself in this way, truly discover its primitiveness, and misery of its idea in its perception to itself and to the creatures.


Saad Alani
painter sculptor and critic


Saad Alani , Olof Palme plein 86 , 1025 WV Amsterdam , tel.0031 20 6326554
E-mail: saad@cybercomm.nl

Home

(Designed by VarioNed Webdesign)